Spanish Theater: From Medieval Times to the Baroque Era

Medieval Drama

Characteristics

  • Performed in temples, streets, and squares.
  • Religious theater was performed by civilians, primarily during Christmas and Easter.
  • Originated from liturgical chants and tropes.
  • Emergence of secular theater with genres like momos and snacks.

Manifestations

  • Auto de los Reyes Magos
  • Fiestas de Epifanía
  • Misterios

Renaissance Theater

Performed in churches, squares, halls, universities, and by the late 16th century, in corrales de comedias.

Principal Tendencies

  • Religious drama
  • Italianate
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Medieval and Renaissance Theater in Spain

Medieval Drama

Characteristics

  • Performed in temples, streets, and squares.
  • Religious theater was prevalent during Christmas and Easter.
  • Originated from liturgical chants and tropes.
  • Emergence of secular theater with performances like momos and snacks.

Manifestations

  • Auto de los Reyes Magos
  • Fiestas de Epifanía
  • Misterios

Renaissance Theater

Performed in churches, squares, halls, universities, and later in the late sixteenth century, in corrales de comedias.

Principal Tendencies

  • Religious drama
  • Italianate classicism
  • Nationalism
  • Popular
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Lyric Poetry in Medieval Spain: From Provençal Influences to the Cancioneros

Lyric Poetry in Medieval Spain

Knowledgeable Lirica Catalana

Originating in 12th-century Provence, troubadour poetry arrived in Catalonia in the 13th century. This lyric poetry, collected in nearly 100 songbooks, was the work of known authors and expressed in a cultivated and homogenous language. Troubadours sang their compositions, which were also performed by juglares (traveling entertainers).

The troubadours created a fine and difficult art form subject to rigid laws. Versification was based on

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A Comprehensive Guide to Spanish Medieval, Renaissance, and Baroque Theater

Medieval Drama

Characteristics

  • Performed in temples, streets, and squares.
  • Religious theater was prevalent during Christmas and Easter.
  • Originated from liturgical chants and tropes.
  • Emergence of secular theater with genres like momos and entremeses.

Manifestations

  • Auto de los Reyes Magos (play of the Magi)
  • Fiestas de Epifanía (Epiphany celebrations)
  • Mystery plays

Renaissance Theater

Characteristics

  • Performed in churches, squares, halls, universities, and later in corrales de comedias (courtyard theaters).

Principal

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The Spanish Novel During the Golden Age: A Comprehensive Guide

ITEM 16: PROSE FICTION: THE NOVEL

The Books of Chivalry: Amadis of Gaul

His Motive

Amadis’s motive was to defend justice and serve his lady.

Structure and Plot

The story follows Amadis, who was thrown into a river at birth and raised by a gentleman. As a young man, he embarks on a quest to discover his origins, leading him on many adventures. He falls in love with Oriana, to whom he remains eternally faithful, and they have a son, Esplandian.

Star

Amadis is the prototype of the invincible hero, chivalrous

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A Literary Journey Through Time: From Medieval to Baroque Spanish Literature

Socio-cultural-historical Literary Discourse

1. The Middle Ages

Features:

  • Works were manuscript preserved, incomplete, lost, or anonymous.
  • Literature was transmitted orally (people were largely illiterate).
  • Monks were primarily responsible for transcribing works, resulting in a predominantly theocentric focus.
  • Genres did not adhere to classical models.
  • War was a frequent theme, particularly in the 15th century, with many works exploring death (e.g., Jorge Manrique’s “Couplets to the Death of His Father”
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