Comala in Pedro Páramo: Symbolism and Character Analysis
Comala: A Symbol of Despair and Purgatory in Pedro Páramo
In analyzing Juan Rulfo’s Pedro Páramo, it’s crucial to consider the significance of its setting, Comala. The name itself derives from “Comal,” meaning a clay pot placed over coals, symbolizing a suffocating atmosphere, a place on the precipice of hell or a purgatory where guilty souls are punished. Comala embodies the characteristics of many towns in Rulfo’s Mexico: despotism, despair, oppressive heat, and depopulation.
Three Versions of
Read MoreThe House of Bernarda Alba: A Character Analysis and Theme Exploration
The House of Bernarda Alba: An In-Depth Analysis
Internal Structure
The play opens with a constant flow of people entering and exiting, highlighting the underlying conflicts. The death of Bernarda’s husband and the subsequent mourning period, which Bernarda’s daughters find difficult to accept, set the stage for the central conflicts.
The primary conflicts, particularly the tense relationship between Bernarda and Poncia, escalate throughout the first act. The second act introduces Pepe el Romano and
Read MoreJose Maria Arguedas: A Champion of Andean Culture
Freedom is outside the influence gamonal
Language is perhaps one of the most powerful tools ever created by man since the invention can be considered as truly human, when we talk or when we make our opinions, practices with respect is fine, but if it utilizamospara language to oppress others is sad and disunity leads to us as we Arguedas mentions in his book “Water“
“Water is the story of the childhood experience of the author and the conflicts between Indians and whites or mistis as an autobiography
Read MoreThe House of Bernarda Alba: Themes & Character Analysis
The Characters in The House of Bernarda Alba
We must distinguish three types of characters in the play:
Visible Characters
These characters appear on stage. They include:
- Bernarda
- Her daughters
- Maria Josefa
- Poncia
- Maid
- Beggar
- Prudence
- Girl
- Women (1st, 2nd, 3rd, and 4th)
Invisible Characters
These characters do not appear on stage but affect the development of the action. They include:
- Pepe el Romano
- La hija de los libros (the daughter of the books)
- Reapers
Referred Characters
These are characters mentioned for some
Read MoreThe Generation of ’27: Lorca and Spanish Literature
Federico García Lorca: Life and Works
Early Life and Influences
Federico García Lorca (Fuentevaqueros, 1898 – 1936) was a prominent Spanish poet, playwright, and theater director. Although he initially studied law, Lorca’s passion for music led him to Madrid, where he connected with the Generation of ’27, a group of influential Spanish writers and intellectuals. His travels to New York and Buenos Aires significantly impacted his artistic development.
Lorca’s work garnered both admiration and envy,
Read MoreThe House of Bernarda Alba: A Feminist Analysis of Repression and Rebellion
The Characters in The House of Bernarda Alba
We must distinguish between three types of characters in the play:
- Visible characters (on stage): Starring: Bernarda, her daughters (Angustias, Magdalena, Amelia, Martirio, and Adela), Maria Josefa, and Poncia. Secondary: Maid, Beggar, Prudence, Girl, and Women (1st, 2nd, 3rd, and 4th).
- Invisible characters (not appearing on stage but affecting the development of the action): Pepe el Romano, La hija de la Librada, and the reapers.
- Referred to characters (