Spanish Baroque Literature: Don Quixote & Major Poets

UNIT 15: Don Quijote de la Mancha

Edition of the Book

The Don Quijote de la Mancha first appeared in two parts:

  • Part One (1605): Consists of a prologue, opening and closing burlesque poems, and fifty-two chapters grouped into four parts.
  • Part Two (1615): Consists of a prologue and seventy-four chapters, without division into parts.

In 1614, a false second volume appeared, signed by Alonso Fernandez de Avellaneda. Cervantes addressed this in the preface to his own second part, including numerous references

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Literary Movements from 18th to 19th Century

Sturm und Drang

Sturm und Drang (Storm and Anxiety), a German movement primarily in literature, music, and visual arts (1767-1785, Modern Age), was a reaction against the excessively rationalistic literary tradition. It opposed the German Enlightenment and preceded Romanticism. Sturm und Drang rejected Neoclassical rules (18th century), establishing sentiment, not reason, as the source of art. It emphasized that sentiment has no divine origin but comes from the spiritual nature of humankind.

Illustration:

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Baroque Disillusionment and Aesthetics

The Theme of Dodsworth

Baroque disillusionment is a radical devaluation of the world and human life. The great issues that manifest in it are:

  • The world is worthless. It is no longer a cosmos but a chaos, like a maze in which man is lost, surrounded by evils.
  • Life is contradiction and struggle. Man fights himself, seized by contradictions and struggles with other men.
  • Life is short, fleeting. Life is as short as that of a rose. Everything changes and everything is gone, hence the obsession with time,
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17th-Century Spanish Literature: Cervantes, Lope de Vega, and More

17th-Century Spanish Literature

A Change in Social Function

During the 17th century, Spanish literature underwent a significant shift in its social function, becoming an art form aimed at a broader audience.

  • Its primary goal was no longer to moralize or teach but to entertain and please the public.
  • A vibrant literary world emerged, marked by rivalry between authors and lively polemics.

Stylistic Transformations

Sobriety and balance gave way to stylistic exuberance and complexity.

  • Writers sought innovation,
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Spanish Baroque Theater: Formation, Structure, and Social Function

Formation of Spanish Baroque Comedy

In the realm of Spanish Baroque theater, the term plays referred to performances in public spaces, encompassing comedies, tragi-comedies, and dramas, excluding pure tragedies. The play, in this context, adheres to a formula established by Lope de Vega in the late 16th century.

Lope de Vega’s significant contribution was the integration of various elements into his plays, including:

  • Introduction of lyrical elements
  • Complex and intertwined plots
  • Interpolation of comic
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Baroque Literature and Theater: A Golden Age of Spanish Arts

The Baroque Period

The Baroque period, immediately following the historical and cultural rebirth, reached its highest representation in Spanish literature and splendor, crowning the Golden Age launched by a revival.

Historical and Social Context

The Baroque in Spain covered the period of the so-called Habsburg children: Philip III, Philip IV, and Charles II. This era was characterized by a historical crisis:

  • Financial crisis: Spain wasted opportunities by not adequately investing the wealth from the
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