Spanish Literature: From Medieval Times to Pre-Renaissance

Ages

From the demise of Lir until the discovery of America.

  • In the Peninsula, it is marked by the presence of Arabic, and religion inspires art and literature.
  • It is divided into medieval literature and pre-Renaissance literature.

Traditional Lyric

Jarchas (10th and 11th Centuries)

Short lyrical compositions whose theme is the lament of a woman who lost her beloved.

Cantigas de Amigo (13th, 14th Centuries)

Item, the same as that of jarchas. Parallelism of verses.

Mester de Juglaría (12th Century)

  • They tell
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Spanish Literature: From 19th Century to the Generation of ’27

Spanish Historical Context

The nineteenth century in Spain ended with the so-called Disaster of ’98. Spain lost its last overseas colonies—Cuba, Puerto Rico, and the Philippines—as a result of the military defeat suffered against the U.S. fleet. These events took place at a time when the country was experiencing strong social tensions due to the poor living conditions of the proletariat. The scientific and technological backwardness, coupled with the unstable social situation, worried the intellectuals

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Catalan Modernism: Art, Society, and Literature

The Modernist Movement

Modernism was the movement that emerged in Catalonia between the nineteenth and twentieth centuries, with the aim of transforming traditional Catalan culture into a modern culture.

The promoters wanted to bring Catalonia into Europe. They believed that traditionalists had to banish all aspects of Catalan culture and introduce innovative ideas.

Modernism and Society

Bourgeois Hegemony

The restoration of the Bourbon monarchy was accompanied by a period of social peace that helped

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La Celestina by Fernando de Rojas: A Literary Masterpiece

La Celestina: A Literary Masterpiece

Editions and Author

La Celestina, a jewel of Spanish literature alongside Don Quixote, was written by Fernando de Rojas. The first known edition of this book was printed in Burgos under the title Comedy of Calisto and Melibea and consisted of 16 acts. The second edition, printed in Toledo, included a letter from the author to a friend and some verses. These verses revealed, through an acrostic, the name of the author: Fernando de Rojas. Rojas expanded the work,

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Spanish Theater: Exile, Censorship, and Innovation (1939-Present)

Spanish Theater in Exile and Post-War (1939)

Spanish Theater in exile and post-war in a context of political cleansing, rationing, and strict censorship.

  • Max Aub: San Juan, Jewish emigrants fleeing the Nazis in a ship and fail to be received in any port. Dying to Ignore.
  • Machado Brothers: The Man Who Died in the War
  • Alejandro Casona: The Lady of the Dawn, The Boat Without a Fisherman, Trees Die Standing.

Forties: Humor

Literature of evasion and related arrangements, as well as rooted poetry.

  • Enrique Jardiel
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Tirso de Molina’s The Trickster of Seville: A Deep Dive into Themes and Structure

Tirso de Molina’s *The Trickster of Seville*: A Deep Dive into Themes and Structure

Characteristics of the New Art of Comedy

The Trickster of Seville features characteristics typical of the theater of its time, that is, the new art of comedy created by Lope de Vega. The theater tries to be a real theater, a picture of life, spontaneous and colorful in terms of scenes. One of the primary characteristics of this style in the works of Tirso de Molina is the external division into three acts which, in

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