Spanish Poetry Evolution: 1940s to 1970s
The 1940s
The Spanish Civil War marked a decisive break in all aspects of the intellectual and artistic life of Spain. The consequences of the conflict and the subsequent dictatorship include the death of some writers and the exile of many others, besides the division of poetry into two streams, differentiated by the ethical principles and style of their creators.
Spanish poetry developed in:
- Spain: Poets of the Generation of ’27 continued to write, in addition to those of the Generation of ’36 who
Spanish Poetry After 1939: Trends and Key Figures
Spanish Poetry After 1939
If in 1927 the tercentenary of Góngora erected the banner for the new poets, in 1936 the centenary of Garcilaso de la Vega was the summary of the new taste. Hence the talk of “Garcilasoism”: a poetic power that is modeled for the recovery of classic-like and excuse for a theme based on Love, God, and the Empire, which clearly conflicts with the Spanish reality of the time.
1944 marked a turning point in this scenario of cardboard, and this is due to Children of Wrath (1944)
Read MoreSpanish Poetry: Masterpieces from Machado to Aleixandre
**Antonio Machado**
And not really pain, I know: expresses the deep anguish that torments him and manifests an unknown origin.
It’s Spain, charanga and tambourine (The Ephemeral Morning): describes society critically in early 20th-century Spain.
An evening, gray and cold (Childhood Memory): over time, a lost time that is located in childhood.
The afternoon is dying (Field): dialogue of the poet with elements of nature that become clues to the melancholic state of the decadent soul.
Memories of my childhood
Read MoreCatalan Literature and Art Movements
Catalan Literature
Joan Salvat-Papasseit (1894-1924)
Known primarily for his poetry, Joan Salvat-Papasseit also authored articles, manifestos, and other prose works exploring political and social themes. His work is characterized by nonconformity, idealism, and the poignant awareness of his impending death. His poems, influential on both avant-garde and traditional poets, evolved from the experimental style of Poems (1919) to the mature artistry of The Kite (1922), culminating in the passionate critique
Read MoreSpanish Literature: Narrative and Theater Trends 1940-Present
The Narrative from 1940 to the 1970s
The decade of the 1940s focused on individuals of extreme cruelty in what has been called sensationalist realism, a style that emphasizes the more sordid and unpleasant aspects, but avoiding sociohistorical references to avoid collision with the censorship of the time. Carmen Laforet and Miguel Delibes are the main representatives of the narrative of this decade. No need arises at this time for other trends such as the fantastic and humorous novel or traditional
Read MoreMiguel de Unamuno and Pío Baroja: Life, Works, and Philosophy
Miguel de Unamuno: Faith, Reason, and the Intrahistory
Miguel de Unamuno lived with the internal conflict of wanting to believe but being unable to. For Unamuno, reason and faith were intertwined, and he believed that life was impossible without faith. In 1894, he joined the PSOE, but by 1897, he had distanced himself from the party. Unamuno thought one had to act as if one had faith, even without truly believing.
Early Works and the Concept of Intrahistory
In 1895, Unamuno wrote “Around Casticismo,
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