Juan Ramón Jiménez and Antonio Machado: Works and Style

Juan Ramón Jiménez: Works and Style

Juan Ramón Jiménez himself proposed two classifications of his work:

In Eternidades, production is divided into four stages:

  • Pure poetry
  • Modernist stage
  • Stage of progressive simplification
  • Naked poetry

Subsequently, he classified his work into three stages, although Juan Ramón’s production is characterized by a distinct unit, the result of a non-revisionist approach:

Sensitive Stage (until 1916)

This stage is further divided into two periods:

  1. First books: Works influenced
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Meet the Hilarious Characters of the Artwork Play

Main Characters:

MARIANA: A girl who, considering her family, isn’t very rare. She’s dreamy and always wants to know everything. Very impulsive, she doesn’t think things through.

CLOTILDE: A woman who likes to laugh at people and make jokes about everything she sees or hears. She always says the first thing that comes to mind and, like Mariana, is very impulsive. She thinks everything around her is crazy, not realizing she’s the one causing it.

MICAELA: The most obsessive and insane of all, she has

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Mercè Rodoreda: Life, Work, and the Broken Mirror

Mercè Rodoreda: Life and Work

Born in 1908 in Barcelona, Sant Gervasi, Mercè Rodoreda was an only child, greatly influenced by her grandfather, who encouraged her to read books in Catalan. She only attended school for three years, being mostly self-taught. Until the age of 32, she did not publish any work, stating, “I am an honest woman.” In 1934, she published A Day in the Life of a Man. (She would later reject these early works.) She began to engage in cultural activities, with her consolidation

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Literary Devices, Verse Forms, and Genres Explained

Semantic Resources

Allegory: A succession of metaphors (e.g., “Poor barquilla mía entre peñascos rota sin velas, y a las ondas entregada sola.”)

Comparison: Relationship, by a link of a real object and an object image (e.g., “The sun shines through the palms like a pan of fire.”)

Periphrasis: A roundabout expression that avoids the direct term (e.g., “Scarce had the ruddy Apollo spread over the face of the broad spacious earth the golden strands of her beautiful hair…”)

Metonymy: Designation of

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Francisco de Quevedo: Life, Works, and Baroque Style

Francisco de Quevedo: A Literary Giant of the Baroque Era

Francisco de Quevedo wrote abundant poetry and prose, combining cultured and popular elements with a serious and mocking tone, reflecting the typical Baroque contrast. His grimly reflective lyricism explores themes like love, death, Spanish decadence, deception, and the impermanence of life. His burlesque poetry addresses trivial, anecdotal matters. Born in Madrid, he pursued humanistic and theological studies and engaged in intense political

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Mariano José de Larra, Leopoldo Alas Clarín, and Benito Pérez Galdós

Mariano José de Larra

Mariano José de Larra, born in Madrid, was the son of a physician who supported Napoleon’s French regime. In 1813, when the French left Spain, his family had to emigrate to France. When he returned to Spain, he observed the great differences between the modern French society and the backward Spanish society. This sparked his strong commitment to the Europeanization of Spain.

In 1833, under the liberal regime, he could express himself more freely, using the pseudonym Figaro.

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