Gulliver’s Travels Part 2: Satire in Brobdingnag
Brobdingnag
Gulliver’s Journey: From Power to Powerlessness
- As in part I, Gulliver departs from and returns to reality.
- Now a pygmy in a land of giants, Gulliver moves from a position of power to powerlessness.
- Gulliver is initially perceived by the farm laborers as a dangerous animal: at first, the farmer’s wife reacts to Gulliver as if he were a toad or spider.
- Gulliver’s animality had begun in Lilliput with his monstrous defecation.
- For the first time, we see that his identity is questioned. His animality
Poetic Reflections: Unveiling the Unknown in Becquer’s Rimas
Flying Arrow: Reflections on Poetry
Subject Lock: Reflections on Poetry
Theme
The theme of this rhyme is the poet’s lack of knowledge of his destination. This ignorance causes him a lack of understanding of his own personality.
Structure
We can divide the rhyme into two parts:
- First Part: Evoked Plane – The first four verses form the first part, whose function would be the introduction and development. In this part, the poetic voice lists various natural elements to compare himself to.
- Second Part: Real
Blake’s ‘The Lamb’ and ‘The Tyger’: A Deep Dive into Symbolism
The Lamb – William Blake
Voice: The entire poem is in the third person because the narrator is a “child” who is talking to a lamb.
Mood: It’s a happy mood.
Summary: The child in the poem is talking to a lamb, which is the reincarnation of God. He’s asking questions about its creator. They are rhetorical questions because he already knows the answers (its creator is God).
Topic: Pantheism, which is the existence of an identity between God and His creatures.
Parts: We can divide the poem into two
Read MoreGustavo Adolfo Bécquer’s Rhyme II: An In-Depth Analysis
Introduction
The proposed text for commentary is Rhyme II by the poet Gustavo Adolfo Bécquer, from Seville. Within the series that often groups Bécquer’s poems, Rhyme II belongs to the first, in which the poet reflects on poetry. This series ranges from Rhyme I to XI. Bécquer’s work is in the post-romantic current, which is characterized by simplicity, melancholy, and other observable traits in the themes and vocabulary.
Theme
The theme of this rhyme is the poet’s lack of knowledge of his destination.
Read MoreLiterary Classics: Analysis of Whitman, James, Gilman, and Melville
Walt Whitman’s *Leaves of Grass*: Key Insights
Frequently Asked Questions on *Leaves of Grass*
- What is Paumanok?
- Paumanok is the Native American term for Long Island.
- In “Starting from Paumanok,” what does Whitman say he will make poems from?
- All of the above (material things, his body, his morality).
- Toward the end of “Song of Myself,” what sound does Whitman say he will make?
- A barbaric yawp.
- What does an important section of “Song of Myself” describe?
- Twenty-nine bathers.
- What is the major symbol Whitman
Pedro Salinas’ La Voz a Ti Debida: Love, Essence, and Existence
La Voz a Ti Debida: A Deep Dive into Salinas’ Masterpiece
Themes of Love, Essence, and Existence
La Voz a Ti Debida by Pedro Salinas is a seminal work in 20th-century Spanish literature. The main theme that unifies the work is love, providing a vital and hopeful vision. Linked to this central theme are three key elements:
- The Portrayal of Women: Salinas departs from romantic stereotypes. The “you” in his poems is a woman of the 20th century: active, determined, and integrated into social life. This