Joan Miró’s Dutch Interior I: A Surrealist Masterpiece
Joan Miró’s Dutch Interior I (1928)
Catalog Information
- Title: Dutch Interior I
- Museum: Museum of Modern Art, New York
- Artist: Joan Miró
- Year: 1928
- Style: Surrealism, Organic Abstract
- Technique: Oil on canvas
- Dimensions: 92 x 73 cm
Subject Matter
Based on a postcard of a lute player by Hendrick Martensz Sorgh (a 17th-century Dutch painter), Dutch Interior I presents a thoroughly original composition. Miró chose this subject after his trip to the Netherlands in 1928, creating Dutch Interior II and Dutch
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Art Nouveau and Modernism
The Conflict Between Artist and Society
One of the basic conflicts of Modernism is the breakdown between the artist and society. This conflict expresses dissatisfaction with a bourgeoisie perceived as culturally insensitive and failing to fulfill its role as a ruling class. Many modernist literary works explored this theme, portraying the artist’s struggle against bourgeois rejection and contempt, often leading to a bohemian lifestyle.
Two Attitudes Among Art Nouveau Artists
Two
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Narrative Essentials
A narrative recounts real or fictional events experienced by characters within a specific time and space.
External Structure
This refers to how the text is organized:
- Paragraphs
- Chapters
- Parts
- Treatises
- Books
- Acts and scenes
Internal Structure
This relates to the content and event order:
- Approach: Context setting.
- Conflict (Nudo): The protagonist faces challenges.
- Outcome: Conflict resolution and new state. Morals or lessons may be included.
Chronological Order
Events follow a linear timeline.
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Introduction
Egyptian art is defined by the Pharaohs’ desire to create timeless works that would solidify their legacy. This focus on permanence is evident in the stone used to construct their most significant buildings.
Two striking aspects of Egyptian art, developed over 3,000 years, are the anonymity of the artists and the consistent style. The focus remains on the king, the commissioner of the work, while the actual artists remain largely unknown. Furthermore, Egyptian art, with its 3,000-year
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Augmentative and Alternative Communication Systems
Communication Enhancement Systems
All possible forms of communication that enhance or supplement speech and writing. 3 classification criteria
According to the Final Objective
Alternative Communication: A communication system or code, which consists of symbols in order to replace spoken language.
Augmentative Communication: A communication system that serves to improve an existing communication.
If You Need Help or Not Another Person
- Dependent Communication: Done with the help of a person who interprets