Quattrocento Masters: Architecture, Sculpture, and Painting in 15th-Century Italy

The Quattrocento: Italian Renaissance Art (15th Century)

The Quattrocento (15th Century) was the period when Italy developed a new art form, drawing heavily on the classical heritage of the past.

Renaissance Architecture: Principles and Style

Order, proportion, symmetry, and the unit will be the foundations of Renaissance architecture.

Architectural Characteristics

  • Structural Elements: The use of classical orders: Doric, Ionic, Corinthian, Tuscan, and Composite.
  • Vaulting and Ceilings: The arch, coffered
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Communication Fundamentals: Theory, Conflict, and Persuasion

Elements of the Communication Process

  1. Source (Sender): As the source of the message, you need to be clear about why you are communicating and what you want to communicate. You also need to be confident that the information you are communicating is useful and accurate.
  2. Message: The message is the information that you want to communicate.
  3. Channel: Different channels have different strengths and weaknesses. For example, it is not particularly effective to give a long list of directions verbally, while
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The Trueba Legacy: Character Dynamics in The House of the Spirits

The Trueba Family: Patriarchy and Prophecy

Esteban Trueba: The Authoritarian Patriarch

Esteban Trueba, the only son of an impoverished oligarchic family due to the wastefulness of an alcoholic father, is forced to work from adolescence to recuperate his fortune by operating a mine in northern Mexico. That wealth allows him to retrieve the family farm, Las Tres MarĂ­as, where much of the story unfolds. Subsequently, he comes to occupy a seat as senator, embodying all the features of a conservative

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Miron’s Discobolus: Analysis of Classical Greek Sculpture

The Discobolus by Miron

1. General Documentation

  • Artist: Miron (c. 460 BC)
  • Period: Classical Greek (Fifth century BC)
  • Original Medium: Bronze (Lost)
  • Surviving Copies: Marble
  • Type: Freestanding Sculpture
  • Dimensions (Textual Source): 53 cm high
  • Location: Museo Nazionale Romano delle Terme, Italy.

2. Formal Analysis

Brief Description of the Work

The sculpture represents the figure of a naked athlete captured at the moment of releasing the discus. In the marble copies, a marble support or “throne” is placed behind

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Roman Sculpture: Characteristics, Portraiture, and Relief Art

General Characteristics of Roman Sculpture

  1. Double Artistic Influence

    • Etruscan (most popular): Influences realism derived from the copy of Etruscan funerary masks, the origin of bust portraits, and the representation in bronze of fantastic animals.
    • Greek, particularly Hellenistic (more educated): Reflected in the taste for allegories and mythological themes, and moving figures.
  2. Highly developed sculptural technique, especially in reliefs.
  3. The materials and techniques used by the Romans, like the Greeks,
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Essential Concepts in Narrative and Spanish Grammar

Types of Description in Literature

A. According to the Issuer’s Point of View (Attitude)

  1. Attitude of the Issuer

    • Objective: Reflects reality as it is, using precise and denotative language.
    • Subjective: Used for aesthetic purposes, where the poetic function of language dominates.
  2. Position and Motion of the Issuer

    • Static: Description from a single, fixed position.
    • Dynamic: The position of the issuer varies during the description.

B. According to the Item Described (Descriptive Techniques)

  • Prosopography: Physical
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