Spanish Literature: Renaissance and Baroque
Eighth consists alternately rhyming heroic verse rima.8 the first 6. 4) The room, used in the Petrarchan or Italian song. Meter was used by Garcilaso in Eclogue I.5) The sonnet, Italian grassroots and perfected by Petrarch, and had been cultivated in the previous century by the Marquis of Santillana, but were Boscan and Garcilaso who introduced him definitively . / / In style, in the first half of the sixteenth century cultivated a poetry that responds to the ideal of simplicity and naturalness of expression without refills. / / themes and poetic motifs / /:
The imitation of classical authors had two main points of reference : Virgil and Horacio.El main theme is love. Its expression is the result of poetic introspection, expressing their suffering by the absence or death of the beloved, Or the lack of correspondence. The portrayal of women is the fee of Renaissance beauty (white skin, blond hair, blue eyes) and is associated with images of nature (flowers, fruits, gems, gold …). Another frequent theme is nature, it is described with the topic of the locus amoenus – “pleasant place”, filled with peace, flowers, fresh groves, springs and rivers, gentle wind and birdsong. The topic of carpe diem ( “enjoy the day ‘) is associated with love, and it encourages you to enjoy. The classical Greek mythology. / Other issues under this lyrical renaissance are friendship and praise a courtier in the second half of the sixteenth century address diverse issues. In this period, dominating the religious poetry and, above all, moral poetry. In lyrical reflective ethical topics and highlights the following reasons: 1) The Beatus ille ( “blessed one”), which is used to treat the pursuit of perfection in nature, by disregard for the urban, and domination of pasiones.2) The self-knowledge, introspection, which are achieved with the approach and communication with God. / /Garcilaso de la Vega: Issues and poetic evolution / /:
The theme par excellence of Garcilaso is the love lyric, expressed from the melancholy and sadness because of frustration or lack of love. As he relates the nature, presented in its perfection with the topic of the locus amoenus as a reflection of the inner world of poetic refuge of their pain, before she takes pity or feel unable to calmarlo.En other poems addressed the themes of friendship, fate, fortune, or the need to dominate the passions, from the ideas of Stoic ethics. / / Fray Luis de Leon: original poetic work / /:
The poetry of Fray Luis, twenty-three includes original poems, most of lira was published in 1631 by Quevedo. It is moral poetry, but a few religious poems. His sources are the classical poetry of Horace (creator of topical beatusille)
and Virgil, and biblical texts. The quietness and the good can be achieved through knowledge of self, the topic of secum vivere ( “live with inward), and leading a secluded existence. These ideals are expressed in the poetic Louisiana with the topic of Beatus ille, referring to the retired life naturaleza.El contact the locus amoenus is the ideal place for poetry, music and peace. / / Style / /:
highlights the use of metaphors belonging to associative fields related to nature (the sea, wind, air, woods), repetitions of words, anaphora, the Latins and hipérbatos cultism, also uses the polysyndeton and asyndeton.
/ / San Juan de la Cruz: Work Poetics / /:
The work of St John is a landmark of the Western lyric in its intensity and literary excellence loving. / / The ineffable nature of mystical experience means that in the major works of St. John of the Cross – Dark Night of the Soul, Spiritual Canticle and Living Flame of Love – the poet has recourse to a symbolic language based on human love. / / Dark Night of the Soul and Spiritual Canticle (The beautiful nature, alive, appears identified with the Bridegroom, is a reflection of her beauty. You see the husband and spiritual marriage is consummated). / /
QUIJOTE / /:
The most famous novel of Spanish literature, was published in two parts: 1) First part. Appeared in 1605 under the title The Ingenious Hidalgo Don Quixote de la ManchaAnd consists of a prologue, opening and closing burlesque poems and fifty-two chapters grouped into four parts. 2) Second part. It was published in 1615, with a change in the title: The ingenious gentleman Don Quixote de la Mancha consists of a prologue and seventy-four chapters, without division into partes.Un year earlier, in 1614, had appeared the second volume of Ingenious Hidalgo Don Quixote de la Mancha, signed by Alonso Fernandez de Avellaneda. In the foreword to this insulting apócrifo1 Quixote Cervantes, who said in the preface to the second part of his book and included within the fiction itself, numerous references to the falsity of Avellaneda’s novel. / / Fonts / /: In addition to the above narrative models (pastoral novel, Byzantine, of chivalry, sentimental, Moorish, and roguish), in the opening chapters of Quixote can see the influence of an anonymous sixteenth century, the Entremes of romance. In it, the farmer goes mad with both Bartolo read romances and goes in search of adventure to mimic hazanas of his heroes. / / Foreword / /: In the preface to the first part, the author states that the original purpose of the work is a critique of the books of chivalry: “And therefore your writing does not look more than to destroy authority and place in the world and the worth of books of chivalry have …». Cervantes felt that these novels were poorly written and narrated events were unlikely obscenas.En Don Quixote, Cervantes parodies the romance of chivalry to criticize the genre, it becomes essential ingredient of the book. / / STRUCTURE OF THE WORK / /: The Hidalgo Alonso Quijano (also called at the beginning of the novel Quejana, Quesada, Quijada) crazy by reading books of chivalry and decides to “resurrect the dead and errant chivalry; become Don Quixote and Dulcinea love, goes on the roads in search of fama.El Quixote develops an action organized into three main outputs: the first and second are narrated in the first part of the workAnd the third comprises the entire second half. The basic narrative framework of each output is as follows: 1) Leaving the village. The first time Don Quixote leaves his house alone in the other two outputs will accompany his faithful squire Sancho Panza in the preliminaries of the third output is the bachelor Samson Carrasco, who will be looking for him and will cause its last derrota.2) series of adventures. The adventures of the knight similarly succeed Don Quixote is confronted with reality because the distorted perception (mills = giants) and fail, often in addition to receiving blows and sticks. The third output is a change: the protagonist is no longer a mistake, but other disfiguring reality for convenience or for fun at their expense, for example, Sancho tries to trick his master assured him that an ugly peasant girl is Dulcinea. 3) Back to the village. The three outlets conclude with the return to Don Quixote: the first two, in harsh conditions, the last, to die. The road plays a vital roleTherefore favors the encounter with people of all types and social stratum. At different times, Don Quixote and Sancho stop their trip and stay in one place, giving rise to new adventures and stories with other characters encounters diferentes.Los episodes originate outside the central action. The characters of some of the interpolated stories, as Dorotea and Fernando, participate in the events of the protagonists, others of these accounts are disconnected from the main action, like the novel the Curioso, read at the sale by the cure / / Time and space / /: The narrative is chronological and linear Don Quixote out for the first time one day a month in July and, thereafter, succeed adventures, the other outputs and death. The temporary allusions are scarce, inconsistent and nonsensical: it is impossible to include in the same references to the summer months between start and exit, also in the second part referred to the publication and success of the Quixote historia.Aunque lists some places, There is no detailed geographical information. In part, the actors run through La Mancha to the Sierra Morena, when stopped, the sale becomes the most important space. In the second half, moving in Aragon and Catalonia, spend more time in detention and the basic space is the palace of the Dukes, who are plotting to have fun teasing the expense of the knight. / / The many characters who people the pages of Don Quixote belongs to all social categories, from the highest to the humblest: innkeepers, shepherds, herdsmen, carriers, rich peasants, priests, knights, nobles and marginalized groups such as the Moors exiliados.Los protagonists, Don Quixote and Sancho Panza, are two figures different and complementary. Together they travel the roads and influence one another: their characters are modified by the talk and make each one. Their relationships change: the authority of Don Quixote and Sancho’s obedience, criticism and confrontation, but remain united by friendship and loyalty.