Renaissance Literature: Currents, Themes, and Key Authors
1 LIRICA RENACESNTISTA:
3 currents traditional for O Ballads:
Two tips:-traditional song was written in real-verse romances were disseminated through chapbooks Incorporated remances songbook.
LIRICA lirica
EDUCATED courtesan whose greatest exponent was Cristobal de Castillejo Italianizante:
modeled Petrarca.Se considered representative of the most relevant renacntista.Poeta lirica Garcilaso de la Vega, the renewing work of form and themes: in form, hendecasyllable are grown stanzas like the sonnet, the triplets Akella chained and combined with hendecasyllable q heptasyllables like silva and themes lira.En combines Platonic love, idealized nature and mythologyTOPICS OF THE RENAISSANCE LITERATURE:
Often combined and re-appear as the carpe dien topics or ille beatus.
LOVE:
Petrarch’s model is a platonic love ennobles q xq anemorado through his beloved is approaching perfection, while producing xq dissatisfaction and melancholy is often not reciprocated NATURE:
symbol of perfection and d ela simple life and presents an idealized natural.Se amenus locus, or perhaps reflecting the mood of the poet, nature takes center stage in bucolismo.La compositions as pastorals, poems at q pastors speak of their love in an idealized or natural environment.
MITOLOGICOS:
reflejanla admiracionx Greco-Roman culture and tone are pagan and new literature
. RENAISSANCE 2nd Petrarchism:
continued to cultivate the same q in the 1st thematic prefenrencia loving revival and ornate and rhetorical language of moral issues LIRICA Horatian for Philip II in his appearance was a lyre and concise language and religious lyric-recotado ASTETE b usca the personal improvement effort and sacrifice MISTICA aspires to union with God, is looking for ways purgative teas illuminative and unitive mystical is the chosen of God.
SANJUAN:
s very Scase production. Authored vrsions d alg1s romancs and “the divine” d poe + ptrarkistas pro works dstaco Mayors d x tmatica mystic – poet dscrib the uidA dl withthe 1ion soul and loved. Acia exponl way god rcorriendo .- ls 3 ways mystical poet sings, Love yeno d, l suprmo GOC. San juan aprovxa to2 ls rcursos exprsivos both tradicionals cm d Italianate new position. Cm using the ritracion figures, the antitsis or sirvn cm xadoja.Stos procdimientos formula d l d exprsion what infabl, DCIR s, d akyo k exprsar s can not in words. Lxico Combinale popular and rustic with VOCs cultured dialctalismos, vocabulary words d trovadorsco and frcuents loving diminutives. Prdominant function dl dl VRBO expnsas substantive, what causes the 1st k and 1 large condnsacion exprsiva the aumnto d juan d vlocidad.San gets cross with enorm exprsar passion intnsidad dso amorl d d l 1ion withthe achievement emplo amado.L ac k dl symbol x to mcanismo cm exprsion what infabl d xa s very intnso his time.
Garcilaso de la Vega:
Renaissance, of noble origin, was a poet-soldier, he met Isabel Freyre, kien him of his poems inspired muxos amorosos.Estuvo desterrado.Su was humanista.Murio cultural training in assault on fortress. HisSTYLE were three phases I to Castilian influence: Petrarchan love poems not the second: petrarcaa influence approaches the classical poet Virgil and Horace with the Petrarchan assimilation and the third full after the death of his beloved vision of love and calm naturalza WORK:
brief highlights the Sonnets, some 40 and 3 Eglogas.Egloga I: the most valued, pastors and Nemoroso Salicio kejas expressed in sweet nature and Garcilaso q bucólica.Representan sings to his beloved after his life and muerte.Egloga II: d elos unhappy love story of Albania and the shepherdess Camilla, is the most extensive, the first and least q wrote brillante.Egloga III: q 4ninfas tapestries woven in tragic love stories, amid a gentle, bucolic nature. / 4 songs composed Petrarchan, the ode to the flower of Cnidus, 2 elegies and Boscan.Se Epistolae becomes one of the most admired poets, his work mean the formal innovation and thematic metrics transformed and renewed love theme treat d ela nature.
FRAY LUIS DE LEON (1527-1591):
AUTHOR:
it reflects the tensions between tendencies or Renaissance humanists versus the religious subject of ecclesiastical power and civil.Un very cultured man, a humanist, a descendant of converts and you fraile.La inquisition ocndeno x defend the reading of the Bible in its original language and x translation of Song of cantares.Le Castilian acquitted after 4 yrs.
THEMES:
Beatus ille (happy one) solitude and retirement living in the countryside as inspiration.
POETRY:
most are odes: cantosde praise written in liras, Trara on issues of moral tone reminiscent of the classic q and above all reflects the influence of Stoicism, the eagerness of virtue by mastering the passions, the thirst for spiritual couple, etc.Compuso odes their amigos.Presenta the world as a painful exile, from which man can rise to the true eternal through the contemplation of nature and art.
STYLE:
The L ANGUAGE is natural and elegant, with a range of phrases or cultismos.El many poetic language is very careful, as shown by the use of encambalgamientos ASTETE