Pedro Crespo in ‘The Mayor of Zalamea’: Character & Values
Analysis of Pedro Crespo: Values and Character
Pedro Crespo, a wealthy farmer who is later appointed Mayor of Zalamea, is a dynamic character with a strong sense of social honor. He believes in natural law, acknowledging differences in lineage, but firmly asserts that all are equal before the law and that justice must be served. He rejects the notion that honor and class can be bought, a point he subtly challenges his son on. Crespo is characterized by his initial caution and his principle of treating others with the same respect he receives. He remains steadfast in his decisions and beliefs, demonstrating affection towards his children. His debates with Don Lope particularly highlight his character and reveal his considerable debating skills. Pedro Crespo is arguably the central figure of the play, his character revealed and solidified through the actions of secondary characters. He believes, and expresses to the King, that justice is a single entity with many hands.
Relationship Between Pedro Crespo and Don Lope
From the outset, a relationship of respect, albeit strained, is established. Don Lope initially expresses his belief that Pedro, as a *villano* (commoner), is inherently inferior. Don Lope makes it clear that he will defend his soldiers, while Crespo is equally determined to defend his honor and that of his family. This initial dynamic is evident in verses 891-894 at the end of the first act, where Don Lope calls Crespo stubborn, and Crespo labels Don Lope capricious.
Their relationship gradually improves, culminating in verses 676-677 of the second act. Don Lope remarks on their unexpected friendship, and Crespo replies that he had predicted this positive turn. Despite moments of tension and disagreement, their relationship remains fundamentally respectful, perhaps serving as a metaphor for the relationship between civilian and military authority.
Pedro Crespo’s Concept of Honor and Reputation
Pedro Crespo, despite being a *villano*, possesses a profound sense of honor, stating that he would rather not live than be without it. His concept of honor is clearly articulated in verses 871-876 at the end of the first act. He declares that one must give property and life to the King, but honor is the patrimony of the soul, and the soul belongs only to God. He consistently acts to preserve his honor, aligning his actions with his moral beliefs and rejecting any notion of inferiority based on his social standing. Crespo believes that honor and nobility are inherited, not purchased, and takes pride in his status and possessions. The honor of his loved ones is paramount, reflecting his high valuation of reputation.
The Role of Isabel, the Female Protagonist
Isabel, the female protagonist, is primarily presented as an object of beauty. She rarely expresses her own opinions, only doing so when recounting the events that have befallen her and expressing her unhappiness.
Her role, perhaps, is to demonstrate that even a beautiful *villana*, though a commoner, can be the object of a nobleman’s affection. This highlights the societal class prejudices of the time. While central to the play’s conflict, her role is largely that of a victim, with her primary significance being the concern she evokes in others.
The King’s Role in the Play
The King functions almost as a *deus ex machina*, appearing at the precise moment to ensure justice is done. The King’s figure is presented as authoritative and just, recognizing Crespo’s merits and appointing him mayor for life. The King’s presence, and his decisive action, adds a somewhat improbable element to the narrative’s resolution.