Medieval and Renaissance Music History
Medieval Music
Instruments and Origins
- Aulos: Associated with warship, wine, and Dionysus.
 - Lyre: Associated with Apollo.
 - Kithara: Associated with Helios.
 
Gregorian Chant
- Texture: Monophonic
 - Syllabic: One syllable per note.
 - Neumatic: Two to four notes per syllable.
 - Melismatic: Five or more notes per syllable.
 - Characteristics:
- Religious text written in Latin.
 - Monophonic texture.
 - No regular metric accent.
 - Vocal music without instruments.
 - Anonymous composers.
 
 
Secular Music (11th-13th Century)
- Troubadours: Composer-poets from the South of France (12th century), speaking in Occitan language.
 - Trouvères: From the North of France.
 - Meistersingers: From Germany.
 - One of the most important troubadours: Bernart of Ventadorn.
 
Troubadour and Trouvère Song Characteristics
- Vernacular languages.
 - Monophonic texture with instrumental accompaniment.
 - Marked rhythm.
 - Courtly love: Epic love poems.
 
Spanish Medieval Music
- Cantiga: Composition about miracles of the Virgin Mary.
 - Typical instruments:
- String: Lute, Harp, Viela.
 - Wind: Recorder, Chirimía, Bagpipe, Trumpet.
 - Percussion: Drums.
 
 
The Birth of Polyphony
- Polyphony appeared in Western music in the late 9th century.
 - Stages of Polyphony:
- Primitive polyphony (9th-12th centuries)
 - Ars Antiqua (12th-13th centuries)
 - Ars Nova (14th century)
 
 
Primitive Polyphony (9th-12th Centuries)
- Organum: A technique consisting of adding a parallel voice below the Gregorian chant.
 - Gregorian chant (melody): Vox principalis.
 - Parallel voice (accompaniment): Vox organalis.
 
Ars Antiqua (12th-13th Centuries)
- Evolution of musical notation: Duration of sounds was defined.
 - Most important musical center: Notre Dame School.
 - Composers: Leonin and Perotin.
 - Motet: A musical form with several voices moving in different rhythms, singing different texts.
 
Ars Nova (14th Century)
- Polyphony also appeared in secular music.
 - Secular music became very important.
 - Polyphonic forms of songs: Canon, Ballad, and Chanson.
 - Important composers: Philippe de Vitry, Guillaume de Machaut, and Francesco Landini.
 
Renaissance Music (15th and 16th Centuries)
- Artistic manifestation of the 15th and 16th centuries.
 - Recovered ideals of beauty and proportion from ancient Greek and Roman classic arts.
 
Religious Vocal Music
Protestant Reformation (Martin Luther)
Characteristics:
- Simple composition based on popular melodies.
 - Written for four voices in German.
 - Homophonic texture.
 
Catholic Counter-Reformation
- Gregorian chant was the official singing of the Church.
 - Role of music: To help the devoted heighten their souls towards God.
 - Main musical forms:
- Motet (4 voices, a cappella)
 - Mass (all the pieces of the liturgy): Kyrie Eleison, Gloria, Credo, Sanctus, Agnus Dei.
 
 - Most famous composers: Palestrina and Tomás Luis de Victoria.
 
Secular Vocal Music
Musical forms varied depending on the country:
- Italy: Madrigal
 - France: Chanson
 - Characteristics of Madrigal and Chanson:
- Relationship between text and music.
 
 - Spain: Romance, Villancico, Ensalada.
 
Instrumental Music
- Instruments and their techniques were improved.
 - The use of instruments continued outside of liturgy.
 - Tablature appeared.
 - Authors started to compose music specifically for instruments: Luis de Narváez, Antonio de Cabezón.
 - Instruments: Vihuela, Lute, Harpsichord, Viola da gamba.
 - Instruments contributed to the development of instrumental music through popular, nobility, social, and courtly dances.
 - Most important dances: Pavane and Galliard.
 
