Literary Theory and Criticism: A Comprehensive Overview

Chapter 2: Before and During New Criticism

Early Approaches to Literary Interpretation

  • Impressionistic Criticism: Focused on personal responses to literature, moralizing, and reading aloud.
  • Writer’s Milieu: Considered the writer’s circle of friends and influences from other writers and artists.

Key Concepts of New Criticism

  • Close Reading: Emphasized detailed, careful attention to the text itself, focusing on the words on the page.
  • Intrinsic Criticism: Advocated for focusing on the literary work itself, rather than extrinsic factors like history or biography.
  • Organic Unity: Believed that a great literary work forms a complete and self-sufficient whole, with each part interconnected.
  • Paradox, Ambiguity, Tension, and Irony: Explored these concepts as key features of literary language and meaning.
  • Patterns and Symbols: Analyzed recurring patterns and symbols to reveal the unified artistic vision of a text.

Historicizing New Criticism

  • Formalism: Shifted focus to the form of literary works, such as structure and language, while de-emphasizing historical and cultural context.
  • The Fugitives and Agrarians: A group of Southern writers who influenced New Criticism with their conservative views and critique of modernism.

Intentional Fallacy and Affective Fallacy

  • Intentional Fallacy: Argued against using the author’s intention as the basis for interpreting a text.
  • Affective Fallacy: Cautioned against letting personal emotions determine the meaning of a literary work.

Chapter 3: Structuralism

Binary Oppositions and the Structure of Thought

  • Structuralism analyzes how binary oppositions, such as hot/cold or light/dark, shape our understanding of the world.
  • Ferdinand de Saussure’s work on linguistics laid the foundation for structuralist thought.

Key Figures and Concepts

  • Claude Lévi-Strauss: Applied structuralism to anthropology, studying myths and kinship systems.
  • Roland Barthes: Extended structuralist analysis to cultural phenomena.
  • Langue and Parole: Saussure’s distinction between the overall system of language (langue) and individual utterances (parole).
  • Semiotics: The study of signs and symbols, including their meaning and interpretation.
  • Signifier and Signified: The relationship between the physical form of a sign (signifier) and the concept it represents (signified).

Chapter 4: Deconstruction

Jacques Derrida and the Challenge to Stable Meaning

  • Deconstruction challenges the idea of fixed or stable meanings in texts.
  • It builds upon structuralism but emphasizes the instability and multiplicity of meaning.

Key Concepts

  • Free-Floating Signifiers: Words and symbols that do not have a fixed or stable meaning.
  • Double Reading: A two-stage process of interpretation, first identifying a dominant meaning and then deconstructing it to reveal its instability.
  • Undecidability: The recognition that texts often have multiple, conflicting interpretations.
  • Differance: Derrida’s concept highlighting the constant deferral of meaning and the gap between signifier and signified.

Poststructuralism and Beyond

  • Deconstruction is often categorized as poststructuralism, which emphasizes the multiplicity of meaning and the role of language in shaping our understanding of the world.