Key Terms in Asian Art History: Concepts and Definitions

ART 251 – Asian Art History, Prof. F. H. Capistrano-Baker

Key Terms in Asian Art History

General Art History Concepts

  • Art History: Study of the history of art, and the cultures and time periods that produced specific works.
  • Formal Analysis: Methodical study of the form and physical aspects of a work.
  • Relief Sculpture: Two-dimensional sculpture, meant to be viewed from the front only (high relief vs. low relief); the back is left rough.
  • Sculpture in the Round: Three-dimensional sculpture meant to be viewed by walking around it; all sides are finished.
  • Iconography: The study of images and their meanings.
  • Attributes: Characteristics that identify a person or deity (e.g., garments, adornments, accompanying objects).
  • Conventionalized: A design whose rendering has become standardized.
  • Patron: A person or group who commissions or pays for the artwork.
  • Producer: The artist or artisan who creates the artwork.
  • User: Persons or groups who use the artwork.

Hinduism in Art History

Deities and Principles

  • Hindu Denominations: Shaivite, Vaishnavite, Shakta.
  • Brahma: The creator deity.
  • Vishnu: The protector deity (Chakra = war discus; Conch Shell = war trumpet).
  • Shiva: The destroyer deity.
  • Shiva Nataraja: Dancing Shiva.
  • Shakti/Devi: The female principle, often personified as Parvati (Shiva’s wife).
  • Durga: Female warrior deity, slayer of Demon Mahesha.
  • Durga Puja: A 10-day commemoration of the goddess Durga.
  • Kali: “The Dark One,” goddess of time, and destructive alter ego of Durga.

Philosophical Concepts

  • Dharma: Ethical living.
  • Moksha: Spiritual salvation.
  • Artha: Wealth.
  • Kama: Human love.
  • Karma: The law of cause and effect.
  • Samsara: The cycle of birth, death, and rebirth (reincarnation).
  • Nirvana: Eternal bliss after the cessation of reincarnation, signifying oneness with the universe.

Architectural and Artistic Terms

  • Nagara: Northern-style Hindu temple, characterized by a curved shikhara and erotic imagery.
  • Dravida: Southern-style Hindu temple, characterized by a rectilinear tower.
  • Shikhara: A tower that symbolizes the sacred mountain.
  • Axis Mundi: The world axis, connecting the human and spiritual realms.
  • Gopura: An elaborate gateway to a Hindu temple, typically found at the four cardinal directions.
  • Aedicule: A basic architectural element.
  • Mithuna: A loving couple, often depicted in temple art.
  • Apsaras: Celestial female beings.
  • Darshan: “Seeing” or making eye contact with a sacred sculpture to receive blessings.
  • Fractal: A self-similar, repeating pattern (often seen in temple architecture).

Historical and Geographical Context

  • Ganges River: A sacred river in India.
  • Chola Dynasty: An important dynasty in South India, circa 9th-13th century CE.

Buddhism in Art History

Key Figures and Concepts

  • Buddha: “The Enlightened One.”
  • Bodhi Tree: Also called a Pipal tree, a sacred fig tree under which the Buddha achieved Enlightenment.
  • Prince Siddhartha Gautama: Of the Shakya tribe, also known as Gautama Buddha or Shakyamuni Buddha (the historical Buddha).
  • Bodhisattva: A holy being who postpones Buddhahood to help others attain Enlightenment.
  • Bodhisattva Avalokiteshvara / Padmapani: The Bodhisattva of Compassion.
  • Bodhisattva Maitreya: The Buddha of the Future, who will become Buddha Maitreya.
  • Chakra: A wheel.
  • Dharma Chakra: “Wheel of the Law,” symbolizing ethical living.
  • Four Noble Truths: The fundamental principles of Buddhist doctrine.
  • Eightfold Path / Middle Way: The path to liberation in Buddhism.
  • Circumambulate: To walk around a stupa or temple in a mindful manner, often as a ritual.
  • Ascetic / Asceticism: One who renounces all worldly comforts.

Historical Context and Sites

  • Mauryan Empire: The first Indian Empire.
  • Emperor Ashoka: The first emperor to convert to Buddhism.
  • Ajanta Caves: A complex of ancient Buddhist rock-cut caves in India.
  • Gandhara: A historical region in present-day Pakistan, known as a crossroads of Indian and Mediterranean cultures.

Architectural and Iconographic Elements

  • Stupa: A mound-like architectural structure containing the Buddha’s relics.
  • Torana: A gateway to a Buddhist stupa, typically a post-and-lintel structure.
  • Yakshi: A female fertility symbol.
  • Chaitya: A Buddhist cave shrine or assembly hall.
  • Halo: A circle of light surrounding the head, symbolizing divinity.
  • Mandorla / Nimbus: An almond-shaped aureole of light framing the entire body.
  • Physiognomy: The physical features and body proportions of a human figure.
  • Mudra: A symbolic hand gesture.
  • Asana: A leg position or posture, often used in meditation.
  • Tribhanga: A triple-bend pose, similar to the Italian contrapposto.
  • Ushnisha: A bun-like protuberance above the fontanel, symbolizing Enlightenment.
  • Urna: A dot on the forehead, often depicted as a tuft of hair.
  • Snail Curls: The distinctive hairstyle of the Buddha.
  • Distended Earlobe: Elongated earlobes resulting from wearing heavy ear ornaments.
  • Lotus Throne: A throne shaped like a lotus flower, symbolizing purity.
  • Parasol: An umbrella symbolizing the presence or royalty of the Buddha.