Classical Period (1750-1825): Style Traits, Genres, and Composers
Classical Period (1750-1825)
Style Traits & Genres
Orchestra Size: Typically 25-30 players, sometimes up to 60.
Symphony
A 4-movement work for orchestra.
Sonata Form
- Exposition: Introduces the themes.
- First theme in the tonic key.
- Bridge.
- Modulation to a new key.
- Cadence (in the new key).
- Pause.
- Second theme in the new key and of contrasting character.
- Closing section (in the new key).
- Development: Explores and transforms the themes.
- Introduction of new themes.
- Variations on original themes.
- Rapid key changes.
- Turbulence and excitement.
- Polyphonic texture (e.g., sequences).
- Recapitulation: Restates the themes in the tonic key, similar to the exposition.
- Coda: Provides a sense of closure.
Listening Examples
- ****: Mozart – Symphony No. 40, First Movement (Sonata Form – Very Popular)
- ****: Haydn – Symphony No. 94, Second Movement (Theme and Variations)
- *****: Mozart – Eine Kleine Nachtmusik, Third Movement (Minuet and Trio – Very Short)
- ******: Beethoven – String Quartet in C Minor, Fourth Movement (Rondo Form)
- *: Berlioz – Symphonie Fantastique, “Idée Fixe” (Sonata Form)
Forms
- Sonata Form
- Rondo Form (A B A C A)
- Sonata Rondo
- Theme and Variations
Chamber Music
- 2-9 players.
- One player per part.
- Equality of parts.
- Popular with professionals for its teamwork without a conductor.
- Popular with amateurs as it doesn’t require a formal orchestra.
Concerto
Utilizes Sonata Form with an exposition for the orchestra, an exposition for the soloist, a development section (featuring new themes, running notes, and interplay between soloist and orchestra), a recapitulation, a cadenza, and a coda.
Baroque vs. Classical
Baroque | Classical |
---|---|
Two groups | Soloist and orchestra |
Strict alternation between groups | Soloist and orchestra can play together |
Simpler parts for the larger group | All parts are advanced |
Shorter movements | Longer movements |
Many cadences (stops) | More continuity |
Key Composers
- Haydn: Known for his prolific output and adherence to classical conventions.
- Mozart: Celebrated for his genius and innovative compositions.
- Beethoven: Bridged the Classical and Romantic periods with his powerful and expressive works.
Emerging Trends
- Virtuoso performers like Niccolò Paganini (violin) and Franz Liszt (piano).
- Expansion of movement length.
- Chromatic harmony.
- Art Song (Lied): Works for solo voice and piano based on poetry.
Programmatic Effects
Music that evokes specific imagery or tells a story. Examples include:
- Galloping horses depicted through piano music.
- Narration through vocal elements.
- Characters represented by different instruments or vocal parts.
- Sound effects mimicking natural phenomena.
Symphony Poem
A single-movement programmatic work for orchestra, often in a traditional form like sonata or rondo, or in a more free-form structure.
Example: A Symphony Based on a River’s Journey
This hypothetical symphony uses various musical techniques to depict the river’s flow and the scenes along its banks.
- River Theme: Introduced by flutes, later joined by clarinets and other instruments.
- Scenes of the Banks: Depicted through contrasting musical themes and textures.
- Dusk: Represented by muted colors and a sense of tranquility.
- Dawn Breaking: Marked by bright brass fanfares.
- Rapids: Conveyed through energetic rhythms and powerful instrumentation.
- River at Midwest: Symbolized by a major key and a sense of expansiveness.
- Through Prague: Represented by a march-like theme.
- River Fades: Music gradually diminishes in volume and intensity.
Style Traits of the Classical Period
- Contrast of Mood: Significant changes in mood within movements or themes.
- Rhythm: Variety of rhythmic patterns.
- Texture: Primarily homophonic.
- Melody: Tuneful, easy to remember, balanced, and symmetrical, often consisting of two phrases of equal length.
- Dynamics: Gradual changes in dynamics, including crescendos and decrescendos.
Genres of the Classical Period
- Symphony: A large-scale work for orchestra, typically in four movements.
- Concerto: A work for solo instrument and orchestra, often featuring virtuosic passages for the soloist.
- Chamber Music: Music for a small ensemble, typically 2-9 players, with one player per part. The most well-known form is the string quartet.
- Opera: A dramatic work utilizing orchestra, chorus, soloists, acting, costumes, and scenery.
- Keyboard Works: Works for solo keyboard instruments, such as the piano.
- Vocal Works: Including concert masses, oratorios, and secular vocal pieces.
Style Traits of the Romantic Period
- Expanded range of tempo, pitch, and dynamics.
- New and improved instruments, leading to larger orchestras.
- Emergence of the virtuoso performer.
- Extremes in size and emotion.
- Chromatic harmony.
- Interest in far-off places, nationalism, and exoticism.
- Program music.
- Expressive use of tone color.
- Individuality.
- Usage of emotional subject matter.