Art
SAN MARTÍN DE TERUEL:
The film presents an architecture building, specifically the outside of a tower called San Martin de Teruel S. XIV, and that the characteristics I describe we know it belongs to the Gothic-Mudejar Spanish courtier, of a religious nature and that part of the church said De Leon.
As we can see on the outside of the tower is used poor materials such as brick or geometric arrangement of glazed ceramic Nasrid colors. Arabic is the geometric ornaments through the use of gypsum. It features tapered concentric arcs that are encased in a arfiz, this tower has many windows that decrease in size and increase in number as we climbed up and used as decorative panels and tiles Almohads sebka Granada and stalactite. At the top of the tower floors are blind arcades of semicircular arches pointed lobed, stilted, supported on columns and the tower is divided by blind arcades. We can see that exterior decoration is much more rich and profuse as in the interior.
Although not significant in the lamina know that the support element is fundamental pillar usually covers wood paneling polyhedral shapes, the apses are decorated apartments with blind arcades with arches, or poly-lobed horseshoe or concentric double arch. It also stands out because it is essentially Spanish style, which means that it is the one and only occurs in Spain. The most interesting of these type Mudejar towers is that they are located alongside the walls and that makes them both towers and city gates and establishes a clear link with Islamic origin since it is establishing yen mode miraretes of Muslims. The most characteristic feature of this art is the artistic styles that blends Romanesque and Gothic decorative motifs and materials employed in Al-Andalus, ie the architectural structure is Christian but the materials are generally poor (brick, plaster and wood) used by Muslims.
Examples: Churches in San Lorenzo, Santa Maria de Utebo, San Andres de Calatayud and Magdalena de Zaragoza.
SAN MARTÍN DE TERUEL:
The film presents an architecture building, specifically the outside of a tower called San Martin de Teruel S. XIV, and that the characteristics I describe we know it belongs to the Gothic-Mudejar Spanish courtier, of a religious nature and that part of the church said De Leon.
As we can see on the outside of the tower is used poor materials such as brick or geometric arrangement of glazed ceramic Nasrid colors. Arabic is the geometric ornaments through the use of gypsum. It features tapered concentric arcs that are encased in a arfiz, this tower has many windows that decrease in size and increase in number as we climbed up and used as decorative panels and tiles Almohads sebka Granada and stalactite. At the top of the tower floors are blind arcades of semicircular arches pointed lobed, stilted, supported by columns and the tower is divided by blind arches. We can see that exterior decoration is much more rich and profuse as in the interior.
Although not significant in the lamina know that the support element is fundamental pillar usually covers wood paneling polyhedral shapes, the apses were decorated apartments with blind arcades with arches, or poly-lobed horseshoe or concentric double arch.It also stands out because it is essentially Spanish style, which means that it is the one and only occurs in Spain. The most interesting of these type Mudejar towers is that they are located alongside the walls and that makes them both towers and city gates and establishes a clear link with Islamic origin since it is establishing yen mode miraretes of Muslims. The most characteristic feature of this art is the artistic styles that blends Romanesque and Gothic decorative motifs and materials employed in Al-Andalus, ie the architectural structure is Christian but the materials are generally poor (brick, plaster and wood) used by Muslims.
Examples: Churches in San Lorenzo, Santa Maria de Utebo, San Andres de Calatayud and Magdalena de Zaragoza.
SAN MARTÍN DE TERUEL:
The film presents an architecture building, specifically the outside of a tower called San Martin de Teruel S. XIV, and that the characteristics I describe we know it belongs to the Gothic-Mudejar Spanish courtier, of a religious nature and that part of the church said De Leon.
As we can see on the outside of the tower is used poor materials such as brick or geometric arrangement of glazed ceramic Nasrid colors. Arabic is the geometric ornaments through the use of gypsum. It features tapered concentric arcs that are encased in a arfiz, this tower has many windows that decrease in size and increase in number as we climbed up and used as decorative panels and tiles Almohads sebka Granada and stalactite. At the top of the tower floors are blind arcades of semicircular arches pointed lobed, stilted, supported by columns and the tower is divided by blind arches. We can see that exterior decoration is much more rich and profuse as in the interior.
Although not significant in the lamina know that the support element is fundamental pillar usually covers wood paneling polyhedral shapes, the apses were decorated apartments with blind arcades with arches, or poly-lobed horseshoe or concentric double arch. It also stands out because it is essentially Spanish style, which means that it is the one and only occurs in Spain. The most interesting of these type Mudejar towers is that they are located alongside the walls and that makes them both towers and city gates and establishes a clear link with Islamic origin since it is establishing yen mode miraretes of Muslims. The most characteristic feature of this art is the artistic styles that blends Romanesque and Gothic decorative motifs and materials employed in Al-Andalus, ie the architectural structure is Christian but the materials are generally poor (brick, plaster and wood) used by Muslims.
Examples: Churches in San Lorenzo, Santa Maria de Utebo, San Andres de Calatayud and Magdalena de Zaragoza.
SAN LORENZO
This sheet presents the interior of the church of San Lorenzo. Religious style by then describe features that belong to the Renaissance, specifically the architecture of the Italian Quattrocento s. XV. Created by Brunelleschi.
As to the formal values used material is the marble. It is a basilica with three naves, the central nave taller and wider than the aisles. Both separated by Corinthian columns, which support arches which rest on the top of the column with a stepped architrave, frieze (decorated with medals) and a cornice, on top of the arches are repeated again the architrave, the frieze and a small ledge.The flat roof of the nave is decorated with coffers with gold trim and a flower of the same material in the center. The aisles are decorated with arches that serve as chapels, half point between arc and arch appears against the wall a pillar of the Corinthian order. The decks of the ships are formed by barrel vaults and hemisphere left between roof and the arch are oculis. At the end of the nave is the leadership, presided over by high triumphal arch. And as a great achievement of the Renaissance, appears linear perspective.
The Basilica has a Latin cross plan very long. The apse is a regular in the same square as the cruise. With a square on the floor all the work is constructed, using decimal multiples of that module. The final feeling is total harmony of all elements
Other examples of Renaissance architecture are the church of the Holy spirit, the palace chapel of the Pazzi Pittiola.