Art

THE RENAISSANCE IN SPAIN. Arkitectura. The Spanish Renaissance arkitectura this coupled with the figures of kings k catolicos.Entre these artists work mainly in castilla meet John umbrellas, Egas and domenico fancelli.En enrike arkitectura can distinguish the 2 periods: – The first rebirth or plateresque Hispano forms coexist in the k adds a great profusion of decorative themes k flooded buildings, hospitals and churches .– Classicism during the second third of s: 16 x the decoration taste adopt more stringent . This is late and Spanish classicism k italiano.Las develops conquiecento elements of barrel vaulted ceiling and domes largely replaced the vaults of the classical stage goticas.Esta is known as Herrera was driven k x Juan de Herrera and his great work the monastery of San Lorenzo el Escorial. Plateresque. refers to the decoration coating k edificios.Los resy faxadas of Catholics, the aristocracy and the great ecclesiastics will be the main drivers of this new art. characteristics. The survival of elements of late Gothic or Elizabethan as vaults, with decoration in their keys and nervios.La persistence of Mudejar elements with texumbres plasterwork and madera.El covered employment with a large repertoire of grotesques, cherubs, putti k lines as faxadas and appearance of the call soportes.La faxada-tableau> was a way to get outside the grandeur of the Renaissance style decorated altarpieces. enrike Egas> performs one of the crowning achievements of this period: the University faxada salamanca . purism or classicism. is related to the emperor expensive V and the last third of the s: 16 felipe II.Se the monarch is a contemporary style to mannerism k takes place in Europe. Pedro Machuca> built the palace of carlos v> s Italian first building: 16.Other works: Palacio de Monterrey in Salamanca and palace of Guzman in leon. Juan de Herrea> is the creator of a style based on the total lack of ornamentation, proportion between the constructive elements and the use of a giant order in columnas.obras: the Monastery of the Escorial and the Cathedral of Valladolid. sculpture. adkiere religious imagery a great development thanks to the work of painted wood and great production of retablos and choir stalls . The marble, stone and bronze memorials in empleran of princes, nobles .. Sculpture step x distinct stages s: 16 timidly adapting a Renaissance style. the altarpiece and the wooden sculpture> the manufacture of retablos rekeria of the participation of a large roster of artists like Arkitect, Gilders, Goldsmiths .. In the polychrome woodwork used various techniques inherited from the previous amount as the golden period, stew or encarnado.El altarpiece has a structure arkitectonica k is housed in the program are composed horizontally altarpieces escultorico.LA bank, several bodies are divided into streets superpuestos.Verticalmente formed x colunmas, friezes and pediments. juan de juni. 2nd third of the s: 16.Escultor more ImxtanT Renaissance , monumental style (huge figures.) Figures dramatic expression with high turnover, with theatrical gestures and scenery (pathos). Anatomies stout and rotund, bulky paƱos.Se try debocion cause and the exaltation of feeling more religioso.Gran realismo.Obra ImxtanT: holy burial. caractarisitcas d this work> the characters are crowded around a figura.Los characters appear as frozen in the moment of maximum tension in the burial of cristo.otra work:Our Lady of Sorrows> dramatic expression, pain, anguish, his hands gesture and monumentality. alonso berruguete. 2nd third of the s: imxtante.trata tb 16.escultor characters popping shades, bony bodies writhing figures creating fibrosos.las k serpentinata.posturas line gives an idea of instability and expressive movimiento.Figuras but contained emotion, movement and dinamismo.Obras ImxtanT: Sacrifice of Isaac,> motion and muscle tension. san sebastian> tied to a tree trunk on the trunk his body elicoival writhes on a line. painting. caractariza x is the profusion of religious themes and k provovca devotion and exaltation of religious feeling. El Greco. is the late Renaissance, Mannerist is the 2nd half of the s: 16.se pk was so called Greek influences him and tb Vizantino paint their own gambling in Spain. features> k Vizantino influences is reflected in the topics (dehesis) in sombolismo and the Italian influence rigidez.Tiene all paint sobte k Venetian inspires in color and brush suelta.Tiene Spanish influence in the treatment of the characters, mysticism and the dramatic expression d personajes.Etapas> 1st stage: the figures are monumental, the color is Venetian and calida.Final palette is the stage: a greater elongation adkieren figures appear the dreamscape and a color gamut fria.Tiene both religious works and portraits but landscapes and tb has some mythological theme. caract.estiliticas> elongation of the figures, contrasts bright, warm color palette highlighting the difference between the 2 levels: the earthly and divino.En his works include: disproportionate figures, desekilibradas compositions, unreal colors, light bulbs artificial.Obras: gentleman with his hand on the Pexoa> expressive hands and faces, portraits of the character portrayed pscologia. Burial of Count Orgaz> alargamieto of bodies, faces of the figures and groupings, funds and works celajes.Otras: Trinity, Pentecost, lotion pastors.