Generacion27-teatroposterior36

Posted on Sep 13, 2023 in Other subjects

GENERATION OF 27: 1-d payroll authors: paritr d is analyzed 2hexos “the celebration in Seville Ateneo d d 1 event to mark the tercentenary d dl Baroque poet’s death (s.XVII) Gongora in 1927-in 1945, in an essay by Pedro Salinas entitled “nine or ten poets” reminds Vicente Aleixandre, Luis Cernuda, Emilio Manuel Altolaguirre and meadows. 2.generacion or group poetico.diferentes names sigiendo d ls features Julius Peterson could be determined for q deal with a literary generation, we note qe tods ls not met traits, x It appoints these authors as of generation 27 or generation of poets almost all the teachers xk fueron.generacion of friendship, generation of 1924-25, fexas environment to which published their first libros.generacion d match xke cn dictatorship dictatorship d prime d-Lorca Guillen rivera.gen.d xke ls represent more extreme poles and grandchildren understand dl 98 x Noucentisme as a bridge between the generation dl 98 and Peterson dl 27.ls rekisitos not met:. ubo not any national or internacional. hexo-no-no ubo guía.En nada. rise against common-no-style mutual respect despite the natural differences professionals , ideological and travel to Seville esteticas.-d in December 1927, the Athenaeum guests x-poet and the bullfighter Ignacio sanxez symbolic tribute to mejias.-Góngora.-student residence where they lived or attended muxos ls q cultural events were organized .- Docencia.es-dedication to collect the literary tradition. 3.afinidades aesthetic: aunke each poet follows his personal journey, we will highlight the tendency to synthesize and different traits ekilibrar d style “balance between the intellectual and sentimntal.se I accuse d d poesia intelectualismo.-concept among some quasi-mystical, is DCIR the poet to create joins creador.-balance between human authenticity andthe purity estetica.-union d une claridad.se secrecy and popular and culto.-between the minority and the vast company_logo.ico-between the universal and the Spanish. 4.evolucion the group before the civil war poets were faced with the choice: pure poetry-paths or currents vanguardista.-neopopularistas, classical, neo-romantic, surrealistic or concerned civil.despues d x as the world according to Spanish civil war and maintain this dialectic is the dehumanization or rehumanization arte.despues d ls dl conflicts there is a continuity in step d poesia d ls 40s and 50.distincion between poets d ls 40s and 50s: official unids ideologicamnte the side d ls ls winners and unofficial. PEDRO SALINAS (madrid 1892-Boston 1951): doctor of letters and dedicated to university teaching in Spain and abroad . exiled to the War. qeda root d within d d literary history as a great poet dl love his work voice dstacando due ati. characteristics of his work was a playwright, wrote short stories and books d novela.su work rekiero criticized special mention, a great connoisseur d the work of the Cid, for etc.la poetry is a way to access d Honduras reality, the essence of things and experiences vitales. basic d-ls 3elemntos creation other statements appear in this yena suyas.su poetry of paradoxes, observacions, unusual, subtle plays of ideas, Concepts.-condensing his poetic language is its metric is sencilla.-sencilla.-his subject is love. FEDERICO GARCIA LORCA ( Fuentevaqueros-1898-grenade Viznar 1936): in grenade races start and derexo d letters, one term and was a friend derexo.estudio musica manuel d falla.en 1919 installed in the student residence d d Madrid ace writer friends, young artists qe and poets formed their group will poetico.en 1929-1930 New York as becario.cuando yega to Spain in 1932 founded the barrack, the university theater group travels ls qe d people d clasicas.dentro Spain, performing his poetic group, Lorca is the example d qe trayecctoria is the “me to the” about us. “admired his work take root in the popular, its tragic and extraordinary depth d its arte.su fame is universal.characteristics of his work, “the theme of tragic fate, the impossibility d realization q gives serious element underlying unity to his poetry and teatral.-join the demonstrations in his poetry creation d bustling, full d grace and discomfort and the frustración.-in his writing binds the passion and formal perfection, the human and esteticamnte puro.-join its deep roots and culto.-popular in style blends old Castilian meters ls with the boldest metaphors. -joins in the poet’s inspiration and conscious work.

THEATER AFTER 36: 1.teatro d post-war: the world stage last decades collecting d ls d avant-garde heritage and extending previous dramatic conception d Brecht, Artaud, etc, amazing variety and richness x d trends renovadoras.el Spanish theater d ls has obvious 40años Ultims limitacions, ls due to special political or cultural constraints epoca.buero d the valley is the first tragic d our days, miguel Mihura holds a summit in the postwar d comic theater. 2.New dramatically: Brecht ls and Artaud created in 20s and 30s the two most fruitful lines for the later stage: firstly, a theater sound, and political dialectic on the other side an amazing drama and principles d ritual.-century theater symbolist experimntal, expressionist movimients d dl vanguardia.las first theater in our new century are presented as a reaction against the two traits dl realismo.hay theater part realista.x accurate reflection d customs environments and human problems elsewhere yx d ls psychological analysis symbolist theater caracteres.el transcend reality he proposed, suggesting the unseen, creating poetic atmosphere and bringing in a theater Expressionist misterio.el misrepresenting, shake kiere sensitivity viewer dl, with ainm d protest against the natural and accentuates the theatricality d ls d the escenografitos resources interpretación.el Dadaism and Surrealism would entail a violent break with the conventions of theater tradicional.el precursor of this line was the Frenchman Alfred Jarry (1873-1907) with his work Ubu, rey.Bertold Brecht (1898 — 1956) proposed an epic drama q invite reflection and criticism of social conditions and d politica.judio and Marxist in Nazi Germany had q exiliarse.sus work shows a world dominated x x the money the farm, his characters are the contradictions humanities and social and even examples d profunda.Antonin alignment Artaud (1896-1940). nonconformist personality, exasperated and led to the locura.com visionera poet surrealistas.fue ls was linked to actor and playwright was teatro.no But his work as stage director for the theater’s capital contemporaneo.expuso theatrical ideas manifest cruelty d theater, Theater 1933 and its double, its theater 1938.aspectos qe are reflected in our current theater, “Artaud rebelled against the primacy texto.estamos dl at the idea of theater-total. against a realistic and rational theater, the theater must return to its origenes.-Artaud theater intends to end the passivity dl spectator trying representation d shaking, with violent images to provoke the failure insostenible.Artaud time, but rediscovered 20 or 30 years later his conception of theater ls influence Americans ‘Living Theater’ and European x-after Grotowski. Polish War global theater of the absurd, the avant-garde theater experimntal.dentro prominently qe absurd theater was born in France in 1950 with Ionesco’s Bald Soprano qe will follow the works of other authors .- d Beckett theater of the absurd has dl conception existentialist world, close to Jean Paul Sartre and Albert Camus.ls qe topics listed are the man lost in an absurd world, the anguish at the time, death, nothingness, this etc.la novelty in the forms d expression dramatic, introducing a shape absurda.mezcla absurd grotesque and the tragic, the remarkable figures angustia.las of this movement are: Eugene Ionesco and Samuel Beckett.“Ionesco, Romanian-French author d, bursts on stage with the Bald Soprano (1950) work in addition to not appear qe no bald singer or anyone else, the scenes unfold without sense and grotesque language.” Beckett was born in Ireland (1906) written in French but most of his first drama obra.su was waiting for Godot (1953) an d the peaks dl contemporaneo.en theater as she sees us as characters wait for Godot that nothing is known of qe and never reaches .- experimntal theater: with this name to designate a range of activities genericamnte q d continue searching new dramatic form, outside theater comercial.en dl give primacy to the common spectacle, x literario.cobran important text above ls dl plastic elemntos and to engage the viewer sonoros.desean dl espectaculo.tal desire leads to happening, qe show in public and improvise together actors from cualkier d acontecimiento.se breaks with the traditional separation between the stage and sala.en Europe, the Polish director Grotowski, Artaud following in your line of ritual theater, adds scenic nudity, x lo qe his theater theater pobre.el yama living theater is the maximum representative of the theater experimntal. 3.teatro postwar Spanish. condicionamients comercials and ideological. theater “visible” and drama “underground”. condicionamients a number of politicians and culturals q in this period of history d d literature highlights: Russian Revolution (1917), World War I (1914-18), etc.otros conditioning are of a theatrical companies sigen andeconomic depending on interest ls d ls q entrepreneurs ls undergo a public tastes d qe burgues.limitaciones imposes ideological censura.teatralmnte success is in full before the Spanish war, representatives d ls bourgeois comedy (Benavente) poetic theater (Marquina) and comic theater dl (Arniches muñoz dry) and are consolidating 27.despues ls young playwrights of war, missing some respected writers and other exiles, there are new dramaturgos.-stage and trends: